| The camera makes everyone a tourist in other | Sometimes you can tell a large story with a |
| people's reality. - Susan Sontag | tiny subject. - Eliot Porter |
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| One should really use the camera as though | A good picture is equivalent to a good deed. |
| tomorrow you'd be stricken blind. | - Vincent Van Gogh |
| - Dorothea Lange | |
| | Keep it simple. - Alfred Eienstaedt |
| I almost never set out to photograph a | |
| landscape, nor do I think of my camera as a | A picture is the expression of an impression. If |
| means of recording a mountain or an animal | the beautiful were not in us, how would we |
| unless I absolutely need a 'record shot'. My | ever recognize it? - Ernst Haas |
| first thought is always of light. - Galen | |
| Rowell | |
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Miami |
Tulsa |
Yonkers |
Boulder |
Spartanburg |
Orange |
Orlando |
Grand Prairie |
Meridian |
Glendale |
Union |
Sunrise |
Sikeston |
Fairmont |
Menominee |
Wheat Ridge |
Columbia |
Atlanta |
Lyndhurst |
Kapolei |
Hudson |
Pontoon Beach |
Fort Mitchell |
Creve Coeur |
Tallahasse |
Glen Cove |
Coleman |
Harrodsburg |
Camden |
Cocoa Beach |
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| You've got to push yourself harder. You've got | It is not the language of painters but the |
| to start looking for pictures nobody else could | language of nature which one should listen to. |
| take. You've got to take the tools you have and | . . . The feeling for the things themselves, for |
| probe deeper. - William Albert Allard | reality, is more important than the feeling for |
| | pictures. - Vincent Van Gogh |
| Pictures you have taken have an influence on | |
| those that you are going to make. | Above all, it's hard learning to live with vivid |
| That's life! - John Sexton | mental images of scenes I cared for and failed |
| | to photograph. It is the edgy existence within |
| Memory is very important, the memory of | me of these unmade images that is the only |
| each photo taken, flowing at the same speed | assurance that the best photographs are yet to |
| as the event. During the work, you have to be | be made. - Sam Abell |
| sure that you haven't left any holes, that you've | |
| captured everything, because afterwards it will | |
| be too late. - Henri Cartier Bresson | |
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