| No place is boring, if you've had a good | The camera makes everyone a tourist in other |
| night's sleep and have a pocket full of | people's reality. - Susan Sontag |
| unexposed film. - Robert Adams | |
| | My own eyes are no more than scouts on a |
| A good picture is equivalent to a good deed. | preliminary search, for the camera's eye may |
| - Vincent Van Gogh | entirely change my idea. - Edward |
| | Weston |
| You can find pictures anywhere. It's simply a | |
| matter of noticing things and organizing them. | Photography suits the temper of this ageof |
| You just have to care about what's around you | active bodies and minds. It is a perfect |
| and have a concern with humanity and the | medium for one whose mind is teeming with |
| human comedy. - Elliott Erwitt | ideas, imagery, for a prolific worker who |
| | would be slowed down by painting or |
| | sculpting, for one who sees quickly and acts |
| | decisively, accurately. - Edward Weston |
|
|
Chicago |
Houston |
Boston |
Reno |
Knoxville |
Corpus Christi |
Trenton |
Evanston |
Canton |
Weatherford |
West Monroe |
Torrance |
New London |
Scottsdale |
Warrensburg |
American Fork |
Morgan Hill |
Rialto |
Woodbridge |
South Boston |
Titusville |
Covington |
Owego |
Myrtle Beach |
|
|
| Photography is a major force in explaining | Once photography enters your bloodstream, |
| man to man. - Edward Steichen | it's like a disease. - Anon |
| | |
| Photography records the gamut of feelings | It is not the language of painters but the |
| written on the human face, the beauty of the | language of nature which one should listen to. |
| earth and skies that man has inherited and the | . . . The feeling for the things themselves, for |
| wealth and confusion man has created. | reality, is more important than the feeling for |
| - Edward Steichen | pictures. - Vincent Van Gogh |
| | |
| I think you have to have a real point of view | [Photography] is a way of feeling, of touching, |
| that's your own. You have to tell it your way. | of loving. What you have caught on film is |
| And, I think that it's a mistake to shoot for a | captured forever . . . it remembers little things, |
| specific magazine's point of view because it's | long after you have forgotten everything. |
| never going to be as good. You have to shoot | - Aaron Siskind |
| for yourself and photograph [the way] you | |
| believe it. - Mary Ellen Mark | |
|