| Photography is about finding out what can | "Simply look with perceptive eyes at the |
| happen in the frame. When you put four | world about you, and trust to your own |
| edges around some facts, you change those | reactions and convictions. Ask yourself: |
| facts. - Gary Winogrand | "Does this subject move me to feel, think |
| | and dream? Can I visualize a print - my own |
| Memory is very important, the memory of | personal statement of what I feel and want to |
| each photo taken, flowing at the same speed | convey - from the subject before me?" |
| as the event. During the work, you have to be | - Ansel Adams |
| sure that you haven't left any holes, that you've | |
| captured everything, because afterwards it will | [Photography] is a way of feeling, of touching, |
| be too late. - Henri Cartier Bresson | of loving. What you have caught on film is |
| | captured forever . . . it remembers little things, |
| | long after you have forgotten everything. |
| | - Aaron Siskind |
|
|
New York |
Brooklyn |
Chicago |
Portland |
Colorado Springs |
Oklahoma City |
Richmond |
Memphis |
Tucson |
Frederick |
Miami |
Russellville |
Maryland Heights |
Peoria |
Lafayette |
Oak Lawn |
Huntington Station |
Stephenville |
Allen |
Bradenton |
Sidney |
Pullman |
Fairbanks |
Joplin |
Roseville |
Warrington |
Pinehurst |
Johnson City |
|
|
| The camera makes everyone a tourist in other | Sometimes you can tell a large story with a |
| people's reality. - Susan Sontag | tiny subject. - Eliot Porter |
| | |
| My own eyes are no more than scouts on a | A great photograph is one that fully expresses |
| preliminary search, for the camera's eye may | what one feels, in the deepest sense, about |
| entirely change my idea. - Edward | what is being photographed. - Ansel |
| Weston | Adams |
| | |
| The virtue of the camera is not the power it | A picture is the expression of an impression. If |
| has to transform the photographer into an | the beautiful were not in us, how would we |
| artist, but the impulse it gives him to keep on | ever recognize it? - Ernst Haas |
| looking. - Brooks Anderson | |
|