| The camera makes everyone a tourist in other | [Photography] is a way of feeling, of touching, |
| people's reality. - Susan Sontag | of loving. What you have caught on film is |
| | captured forever . . . it remembers little things, |
| The virtue of the camera is not the power it | long after you have forgotten everything. |
| has to transform the photographer into an | - Aaron Siskind |
| artist, but the impulse it gives him to keep on | |
| looking. - Brooks Anderson | "Simply look with perceptive eyes at the |
| | world about you, and trust to your own |
| The difficulty with color is to go beyond the | reactions and convictions. Ask yourself: |
| fact that it's color to have it be not just a | "Does this subject move me to feel, think |
| colorful picture but really be a picture about | and dream? Can I visualize a print - my own |
| something. It's difficult. So often color gets | personal statement of what I feel and want to |
| caught up in color, and it becomes merely | convey - from the subject before me?" |
| decorative. Some photographers use [ it ] | - Ansel Adams |
| brilliantly to make visual statements combining | |
| color and content; otherwise it is empty. | |
| - Mary Ellen Mark | |
|
|
Brooklyn |
Tampa |
Virginia Beach |
Knoxville |
New Orleans |
Boise |
Boulder |
Mountain View |
Thousand Oaks |
Wausau |
Richardson |
Franklin |
Jamestown |
Thomasville |
Lancaster |
Concord |
Danville |
Harlan |
Houston |
Westminster |
Mesa |
Provo |
Palm Bay |
West Des Moines |
Decatur |
Barrington |
Middleton |
Pinetop |
Westbrook |
|
|
| You can find pictures anywhere. It's simply a | Pictures you have taken have an influence on |
| matter of noticing things and organizing them. | those that you are going to make. |
| You just have to care about what's around you | That's life! - John Sexton |
| and have a concern with humanity and the | |
| human comedy. - Elliott Erwitt | I think you have to have a real point of view |
| | that's your own. You have to tell it your way. |
| A good picture is equivalent to a good deed. | And, I think that it's a mistake to shoot for a |
| - Vincent Van Gogh | specific magazine's point of view because it's |
| | never going to be as good. You have to shoot |
| No place is boring, if you've had a good | for yourself and photograph [the way] you |
| night's sleep and have a pocket full of | believe it. - Mary Ellen Mark |
| unexposed film. - Robert Adams | |
|