| Photography knows how to authenticate its | One should really use the camera as though |
| misrepresentations. - Mason Cooley | tomorrow you'd be stricken blind. |
| | - Dorothea Lange |
| Photography is a major force in explaining | |
| man to man. - Edward Steichen | The camera makes everyone a tourist in other |
| | people's reality. - Susan Sontag |
| Memory is very important, the memory of | |
| each photo taken, flowing at the same speed | My own eyes are no more than scouts on a |
| as the event. During the work, you have to be | preliminary search, for the camera's eye may |
| sure that you haven't left any holes, that you've | entirely change my idea. - Edward |
| captured everything, because afterwards it will | Weston |
| be too late. - Henri Cartier Bresson | |
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Pittsburgh |
Pensacola |
Chattanooga |
Richmond |
Fullerton |
Wausau |
Salisbury |
St. Joseph |
Clarks Summit |
New Providence |
Falls Church |
Quakertown |
Wytheville |
Dover |
Fairview Park |
Blairsville |
Austell |
Claymont |
Livingston |
Waimea, Kauai |
Travelers Rest |
Marshfield |
Grandville |
Barboursville |
Chevy Chase |
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| A good picture is equivalent to a good deed. | "Simply look with perceptive eyes at the |
| - Vincent Van Gogh | world about you, and trust to your own |
| | reactions and convictions. Ask yourself: |
| A picture is the expression of an impression. If | "Does this subject move me to feel, think |
| the beautiful were not in us, how would we | and dream? Can I visualize a print - my own |
| ever recognize it? - Ernst Haas | personal statement of what I feel and want to |
| | convey - from the subject before me?" |
| I think the best pictures are often on the edges | - Ansel Adams |
| of any situation, I don't find photographing the | |
| situation nearly as interesting as | There is nothing worse than a sharp image of |
| photographing the edges. - William Albert | a fuzzy concept. - Ansel Adams |
| Allard | |
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