| "Simply look with perceptive eyes at the | A picture is the expression of an impression. If |
| world about you, and trust to your own | the beautiful were not in us, how would we |
| reactions and convictions. Ask yourself: | ever recognize it? - Ernst Haas |
| "Does this subject move me to feel, think | |
| and dream? Can I visualize a print - my own | A great photograph is one that fully expresses |
| personal statement of what I feel and want to | what one feels, in the deepest sense, about |
| convey - from the subject before me?" | what is being photographed. - Ansel |
| - Ansel Adams | Adams |
| | |
| It is not the language of painters but the | A room hung with pictures is a room hung with |
| language of nature which one should listen to. | thoughts. - Sir Joshua Reynolds |
| . . . The feeling for the things themselves, for | |
| reality, is more important than the feeling for | |
| pictures. - Vincent Van Gogh | |
|
|
San Diego |
Brooklyn |
San Antonio |
Fort Worth |
Fort Myers |
Johnstown |
High Point |
Joliet |
Newport |
Glendale |
Tifton |
Duncanville |
Willmar |
Forsyth |
Ridgeland |
Plainville |
Brunswick |
Aberdeen |
Olathe |
Chelsea |
Mendota |
Jennings |
Framingham |
|
|
| Memory is very important, the memory of | I almost never set out to photograph a |
| each photo taken, flowing at the same speed | landscape, nor do I think of my camera as a |
| as the event. During the work, you have to be | means of recording a mountain or an animal |
| sure that you haven't left any holes, that you've | unless I absolutely need a 'record shot'. My |
| captured everything, because afterwards it will | first thought is always of light. - Galen |
| be too late. - Henri Cartier Bresson | Rowell |
| | |
| Photography knows how to authenticate its | The virtue of the camera is not the power it |
| misrepresentations. - Mason Cooley | has to transform the photographer into an |
| | artist, but the impulse it gives him to keep on |
| | looking. - Brooks Anderson |
|