| I think the best pictures are often on the edges | I think you have to have a real point of view |
| of any situation, I don't find photographing the | that's your own. You have to tell it your way. |
| situation nearly as interesting as | And, I think that it's a mistake to shoot for a |
| photographing the edges. - William Albert | specific magazine's point of view because it's |
| Allard | never going to be as good. You have to shoot |
| | for yourself and photograph [the way] you |
| A picture is the expression of an impression. If | believe it. - Mary Ellen Mark |
| the beautiful were not in us, how would we | |
| ever recognize it? - Ernst Haas | You've got to push yourself harder. You've got |
| | to start looking for pictures nobody else could |
| | take. You've got to take the tools you have and |
| | probe deeper. - William Albert Allard |
|
|
New York |
San Jose |
Vero Beach |
Gainesville |
Cuyahoga Falls |
Lexington Park |
Fort Wayne |
Westminster |
Palmdale |
Tewksbury |
Prattville |
Greeley |
Monticello |
Teaneck |
Sellersburg |
Edmonds |
City Of Industry |
Hinesville |
Shawnee |
Needham |
Lavonia |
Rochelle |
Bourbonnais |
Rochester Hills |
|
|
| [Photography] is a way of feeling, of touching, | The camera makes everyone a tourist in other |
| of loving. What you have caught on film is | people's reality. - Susan Sontag |
| captured forever . . . it remembers little things, | |
| long after you have forgotten everything. | The virtue of the camera is not the power it |
| - Aaron Siskind | has to transform the photographer into an |
| | artist, but the impulse it gives him to keep on |
| It is not the language of painters but the | looking. - Brooks Anderson |
| language of nature which one should listen to. | |
| . . . The feeling for the things themselves, for | Photography suits the temper of this ageof |
| reality, is more important than the feeling for | active bodies and minds. It is a perfect |
| pictures. - Vincent Van Gogh | medium for one whose mind is teeming with |
| | ideas, imagery, for a prolific worker who |
| | would be slowed down by painting or |
| | sculpting, for one who sees quickly and acts |
| | decisively, accurately. - Edward Weston |
|