| My own eyes are no more than scouts on a | "Simply look with perceptive eyes at the |
| preliminary search, for the camera's eye may | world about you, and trust to your own |
| entirely change my idea. - Edward | reactions and convictions. Ask yourself: |
| Weston | "Does this subject move me to feel, think |
| | and dream? Can I visualize a print - my own |
| The difficulty with color is to go beyond the | personal statement of what I feel and want to |
| fact that it's color to have it be not just a | convey - from the subject before me?" |
| colorful picture but really be a picture about | - Ansel Adams |
| something. It's difficult. So often color gets | |
| caught up in color, and it becomes merely | Photography takes an instant out of time, |
| decorative. Some photographers use [ it ] | altering life by holding it still. - Dorothea |
| brilliantly to make visual statements combining | Lange |
| color and content; otherwise it is empty. | |
| - Mary Ellen Mark | |
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New York |
Memphis |
Arlington |
Boca Raton |
Metairie |
Lexington |
Dayton |
Union |
Rapid City |
Rome |
Hattiesburg |
West Chester |
Easton |
Texarkana |
Killeen |
Newport News |
Roswell |
Prattville |
Kansas City |
Las Vegas |
Concord |
Faribault |
Greeley |
Santa Rosa |
West Des Moines |
Sudbury |
Manhattan |
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| Pictures you have taken have an influence on | Keep it simple. - Alfred Eienstaedt |
| those that you are going to make. | |
| That's life! - John Sexton | No place is boring, if you've had a good |
| | night's sleep and have a pocket full of |
| Photography is a major force in explaining | unexposed film. - Robert Adams |
| man to man. - Edward Steichen | |
| | A picture is the expression of an impression. If |
| Photography knows how to authenticate its | the beautiful were not in us, how would we |
| misrepresentations. - Mason Cooley | ever recognize it? - Ernst Haas |
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