| One should really use the camera as though | Now to consult the rules of composition before |
| tomorrow you'd be stricken blind. | making a picture is a little like consulting the |
| - Dorothea Lange | law of gravitation before going for a walk. |
| | Such rules and laws are deduced from the |
| The virtue of the camera is not the power it | accomplished fact; they are the products of |
| has to transform the photographer into an | reflection . . . - Edward Weston |
| artist, but the impulse it gives him to keep on | |
| looking. - Brooks Anderson | "Simply look with perceptive eyes at the |
| | world about you, and trust to your own |
| My own eyes are no more than scouts on a | reactions and convictions. Ask yourself: |
| preliminary search, for the camera's eye may | "Does this subject move me to feel, think |
| entirely change my idea. - Edward | and dream? Can I visualize a print - my own |
| Weston | personal statement of what I feel and want to |
| | convey - from the subject before me?" |
| | - Ansel Adams |
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| A room hung with pictures is a room hung with | Pictures you have taken have an influence on |
| thoughts. - Sir Joshua Reynolds | those that you are going to make. |
| | That's life! - John Sexton |
| I think the best pictures are often on the edges | |
| of any situation, I don't find photographing the | Photography is a major force in explaining |
| situation nearly as interesting as | man to man. - Edward Steichen |
| photographing the edges. - William Albert | |
| Allard | Photography is about finding out what can |
| | happen in the frame. When you put four |
| A great photograph is one that fully expresses | edges around some facts, you change those |
| what one feels, in the deepest sense, about | facts. - Gary Winogrand |
| what is being photographed. - Ansel | |
| Adams | |
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