| A picture is the expression of an impression. If | There is nothing worse than a sharp image of |
| the beautiful were not in us, how would we | a fuzzy concept. - Ansel Adams |
| ever recognize it? - Ernst Haas | |
| | "Simply look with perceptive eyes at the |
| Keep it simple. - Alfred Eienstaedt | world about you, and trust to your own |
| | reactions and convictions. Ask yourself: |
| No place is boring, if you've had a good | "Does this subject move me to feel, think |
| night's sleep and have a pocket full of | and dream? Can I visualize a print - my own |
| unexposed film. - Robert Adams | personal statement of what I feel and want to |
| | convey - from the subject before me?" |
| | - Ansel Adams |
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New York |
Bronx |
Dallas |
Las Vegas |
Orange |
Alameda |
Lafayette |
Wichita Falls |
Austin |
Alamosa |
Napa |
Florence |
Northport |
Auburn |
Rye |
Bristol |
San Bernardino |
West Orange |
Bennettsville |
Portage |
Tomahawk |
Brookings |
Warren |
Russellville |
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| One should really use the camera as though | I think you have to have a real point of view |
| tomorrow you'd be stricken blind. | that's your own. You have to tell it your way. |
| - Dorothea Lange | And, I think that it's a mistake to shoot for a |
| | specific magazine's point of view because it's |
| The virtue of the camera is not the power it | never going to be as good. You have to shoot |
| has to transform the photographer into an | for yourself and photograph [the way] you |
| artist, but the impulse it gives him to keep on | believe it. - Mary Ellen Mark |
| looking. - Brooks Anderson | |
| | Pictures you have taken have an influence on |
| A mad, keen photographer needs to get out | those that you are going to make. |
| into the world and work and make mistakes. | That's life! - John Sexton |
| - Sam Abell | |
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