| The difficulty with color is to go beyond the | Photography is my passion. - Alfred |
| fact that it's color to have it be not just a | Stieglitz |
| colorful picture but really be a picture about | |
| something. It's difficult. So often color gets | Now to consult the rules of composition before |
| caught up in color, and it becomes merely | making a picture is a little like consulting the |
| decorative. Some photographers use [ it ] | law of gravitation before going for a walk. |
| brilliantly to make visual statements combining | Such rules and laws are deduced from the |
| color and content; otherwise it is empty. | accomplished fact; they are the products of |
| - Mary Ellen Mark | reflection . . . - Edward Weston |
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Jacksonville |
St. Louis |
Tyler |
Mission Viejo |
Biloxi |
Clifton |
Port Charlotte |
Douglasville |
Yorba Linda |
Eden |
Decatur |
Millbrook |
Mount Holly |
Flemington |
Cranford |
Harrisonville |
Shoreview |
Phoenix |
Everett |
Hobbs |
Springfield |
Coral Gables |
Pulaski |
Vineyard Haven |
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| ...words and pictures can work together to | I think the best pictures are often on the edges |
| communicate more powerfully than either | of any situation, I don't find photographing the |
| alone. -William Albert Allard | situation nearly as interesting as |
| | photographing the edges. - William Albert |
| I think you have to have a real point of view | Allard |
| that's your own. You have to tell it your way. | |
| And, I think that it's a mistake to shoot for a | Keep it simple. - Alfred Eienstaedt |
| specific magazine's point of view because it's | |
| never going to be as good. You have to shoot | A picture is the expression of an impression. If |
| for yourself and photograph [the way] you | the beautiful were not in us, how would we |
| believe it. - Mary Ellen Mark | ever recognize it? - Ernst Haas |
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