| The difficulty with color is to go beyond the | "Simply look with perceptive eyes at the |
| fact that it's color to have it be not just a | world about you, and trust to your own |
| colorful picture but really be a picture about | reactions and convictions. Ask yourself: |
| something. It's difficult. So often color gets | "Does this subject move me to feel, think |
| caught up in color, and it becomes merely | and dream? Can I visualize a print - my own |
| decorative. Some photographers use [ it ] | personal statement of what I feel and want to |
| brilliantly to make visual statements combining | convey - from the subject before me?" |
| color and content; otherwise it is empty. | - Ansel Adams |
| - Mary Ellen Mark | |
| | Now to consult the rules of composition before |
| | making a picture is a little like consulting the |
| | law of gravitation before going for a walk. |
| | Such rules and laws are deduced from the |
| | accomplished fact; they are the products of |
| | reflection . . . - Edward Weston |
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St. Louis |
Chicago |
Indianapolis |
Tyler |
Madison |
Pittsburgh |
Louisville |
New York |
Wilmington |
Pinellas Park |
Greensboro |
Spring Hill |
Whiteville |
Melville |
Mountain View |
Murray |
Liberty |
Boston |
Brooklyn Park |
Cranberry Township |
Warsaw |
Little Falls |
Quincy |
Collinsville |
Beachwood |
Charleston |
Borrego Springs |
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| Keep it simple. - Alfred Eienstaedt | You've got to push yourself harder. You've got |
| | to start looking for pictures nobody else could |
| A good picture is equivalent to a good deed. | take. You've got to take the tools you have and |
| - Vincent Van Gogh | probe deeper. - William Albert Allard |
| | |
| A great photograph is one that fully expresses | Photography is a major force in explaining |
| what one feels, in the deepest sense, about | man to man. - Edward Steichen |
| what is being photographed. - Ansel | |
| Adams | Pictures you have taken have an influence on |
| | those that you are going to make. |
| | That's life! - John Sexton |
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