| You've got to push yourself harder. You've got | Sometimes you can tell a large story with a |
| to start looking for pictures nobody else could | tiny subject. - Eliot Porter |
| take. You've got to take the tools you have and | |
| probe deeper. - William Albert Allard | A room hung with pictures is a room hung with |
| | thoughts. - Sir Joshua Reynolds |
| ...words and pictures can work together to | |
| communicate more powerfully than either | No place is boring, if you've had a good |
| alone. -William Albert Allard | night's sleep and have a pocket full of |
| | unexposed film. - Robert Adams |
| Photography records the gamut of feelings | |
| written on the human face, the beauty of the | |
| earth and skies that man has inherited and the | |
| wealth and confusion man has created. | |
| - Edward Steichen | |
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Tucson |
Indianapolis |
San Francisco |
Hollywood |
Melbourne |
Bellevue |
Dothan |
Auburn |
Stafford |
Richmond |
Ankeny |
Rocky Mount |
Oklahoma City |
Sugar Land |
Boynton Beach |
Richfield |
Yucca Valley |
Schenectady |
Lakewood |
Lake City |
Warrenton |
Indialantic |
Lahaina Maui |
Bristol |
Warren |
Los Banos |
Burbank |
St Augustine Beach |
Kinston |
Montpelier |
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| Above all, it's hard learning to live with vivid | My own eyes are no more than scouts on a |
| mental images of scenes I cared for and failed | preliminary search, for the camera's eye may |
| to photograph. It is the edgy existence within | entirely change my idea. - Edward |
| me of these unmade images that is the only | Weston |
| assurance that the best photographs are yet to | |
| be made. - Sam Abell | A mad, keen photographer needs to get out |
| | into the world and work and make mistakes. |
| Now to consult the rules of composition before | - Sam Abell |
| making a picture is a little like consulting the | |
| law of gravitation before going for a walk. | The virtue of the camera is not the power it |
| Such rules and laws are deduced from the | has to transform the photographer into an |
| accomplished fact; they are the products of | artist, but the impulse it gives him to keep on |
| reflection . . . - Edward Weston | looking. - Brooks Anderson |
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