| Photography records the gamut of feelings | It is not the language of painters but the |
| written on the human face, the beauty of the | language of nature which one should listen to. |
| earth and skies that man has inherited and the | . . . The feeling for the things themselves, for |
| wealth and confusion man has created. | reality, is more important than the feeling for |
| - Edward Steichen | pictures. - Vincent Van Gogh |
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| Memory is very important, the memory of | Now to consult the rules of composition before |
| each photo taken, flowing at the same speed | making a picture is a little like consulting the |
| as the event. During the work, you have to be | law of gravitation before going for a walk. |
| sure that you haven't left any holes, that you've | Such rules and laws are deduced from the |
| captured everything, because afterwards it will | accomplished fact; they are the products of |
| be too late. - Henri Cartier Bresson | reflection . . . - Edward Weston |
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New York |
San Antonio |
Houston |
Columbus |
Warren |
Denver |
Johnstown |
Rochester |
Saginaw |
Puyallup |
Alamosa |
Teaneck |
Boise |
Arcola |
Mount Airy |
Marquette |
Bucyrus |
Maple Grove |
Weirton |
French Lick |
Kerhonkson |
Winchester |
West Hazleton |
New Windsor |
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| The camera makes everyone a tourist in other | A great photograph is one that fully expresses |
| people's reality. - Susan Sontag | what one feels, in the deepest sense, about |
| | what is being photographed. - Ansel |
| Photography suits the temper of this ageof | Adams |
| active bodies and minds. It is a perfect | |
| medium for one whose mind is teeming with | I think the best pictures are often on the edges |
| ideas, imagery, for a prolific worker who | of any situation, I don't find photographing the |
| would be slowed down by painting or | situation nearly as interesting as |
| sculpting, for one who sees quickly and acts | photographing the edges. - William Albert |
| decisively, accurately. - Edward Weston | Allard |
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