| Photography is a major force in explaining | The difficulty with color is to go beyond the |
| man to man. - Edward Steichen | fact that it's color to have it be not just a |
| | colorful picture but really be a picture about |
| I think you have to have a real point of view | something. It's difficult. So often color gets |
| that's your own. You have to tell it your way. | caught up in color, and it becomes merely |
| And, I think that it's a mistake to shoot for a | decorative. Some photographers use [ it ] |
| specific magazine's point of view because it's | brilliantly to make visual statements combining |
| never going to be as good. You have to shoot | color and content; otherwise it is empty. |
| for yourself and photograph [the way] you | - Mary Ellen Mark |
| believe it. - Mary Ellen Mark | |
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Fort Wayne |
San Francisco |
Spartanburg |
Torrance |
Meriden |
Richmond |
St. Charles |
New York |
South Sioux City |
Goodlettsville |
Charleston |
Denham Springs |
Norwich |
Warren |
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Madeira Beach |
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Altavista |
Berea |
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Daly City |
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Charlotte |
Binghampton |
Lewistown |
North Myrtle Beach |
Oakland |
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| Photography takes an instant out of time, | A picture is the expression of an impression. If |
| altering life by holding it still. - Dorothea | the beautiful were not in us, how would we |
| Lange | ever recognize it? - Ernst Haas |
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| "Simply look with perceptive eyes at the | You can find pictures anywhere. It's simply a |
| world about you, and trust to your own | matter of noticing things and organizing them. |
| reactions and convictions. Ask yourself: | You just have to care about what's around you |
| "Does this subject move me to feel, think | and have a concern with humanity and the |
| and dream? Can I visualize a print - my own | human comedy. - Elliott Erwitt |
| personal statement of what I feel and want to | |
| convey - from the subject before me?" | |
| - Ansel Adams | |
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