| Memory is very important, the memory of | There is nothing worse than a sharp image of |
| each photo taken, flowing at the same speed | a fuzzy concept. - Ansel Adams |
| as the event. During the work, you have to be | |
| sure that you haven't left any holes, that you've | Above all, it's hard learning to live with vivid |
| captured everything, because afterwards it will | mental images of scenes I cared for and failed |
| be too late. - Henri Cartier Bresson | to photograph. It is the edgy existence within |
| | me of these unmade images that is the only |
| You've got to push yourself harder. You've got | assurance that the best photographs are yet to |
| to start looking for pictures nobody else could | be made. - Sam Abell |
| take. You've got to take the tools you have and | |
| probe deeper. - William Albert Allard | |
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Orlando |
New York |
Oklahoma City |
Boston |
Brooklyn |
Memphis |
Nashville |
Rochester |
Oceanside |
Belleville |
Merced |
Fontana |
Dalton |
Brandon |
North Canton |
Malone |
Tallulah |
Webster |
Madison |
Lisbon |
Florence |
Fayetteville |
Amesbury |
San Jose |
San Antonio |
Clarksville |
Neptune |
Killington |
Apalachicola |
St Cloud |
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| The virtue of the camera is not the power it | No place is boring, if you've had a good |
| has to transform the photographer into an | night's sleep and have a pocket full of |
| artist, but the impulse it gives him to keep on | unexposed film. - Robert Adams |
| looking. - Brooks Anderson | |
| | A picture is the expression of an impression. If |
| The difficulty with color is to go beyond the | the beautiful were not in us, how would we |
| fact that it's color to have it be not just a | ever recognize it? - Ernst Haas |
| colorful picture but really be a picture about | |
| something. It's difficult. So often color gets | Sometimes you can tell a large story with a |
| caught up in color, and it becomes merely | tiny subject. - Eliot Porter |
| decorative. Some photographers use [ it ] | |
| brilliantly to make visual statements combining | |
| color and content; otherwise it is empty. | |
| - Mary Ellen Mark | |
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