| ...words and pictures can work together to | Sometimes you can tell a large story with a |
| communicate more powerfully than either | tiny subject. - Eliot Porter |
| alone. -William Albert Allard | |
| | A good picture is equivalent to a good deed. |
| You've got to push yourself harder. You've got | - Vincent Van Gogh |
| to start looking for pictures nobody else could | |
| take. You've got to take the tools you have and | I think the best pictures are often on the edges |
| probe deeper. - William Albert Allard | of any situation, I don't find photographing the |
| | situation nearly as interesting as |
| Memory is very important, the memory of | photographing the edges. - William Albert |
| each photo taken, flowing at the same speed | Allard |
| as the event. During the work, you have to be | |
| sure that you haven't left any holes, that you've | |
| captured everything, because afterwards it will | |
| be too late. - Henri Cartier Bresson | |
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Rochester |
Fort Myers |
Miami |
San Antonio |
Lake City |
Dothan |
Lebanon |
Denville |
Redondo Beach |
Muncie |
Scottsboro |
Roseburg |
Grand Island |
Terrell |
Magnolia |
Bowling Green |
Moline |
Big Stone Gap |
Concord |
Borger |
Maitland |
Hartwell |
Lake Geneva |
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| The camera makes everyone a tourist in other | Photography is my passion. - Alfred |
| people's reality. - Susan Sontag | Stieglitz |
| | |
| My own eyes are no more than scouts on a | Photography takes an instant out of time, |
| preliminary search, for the camera's eye may | altering life by holding it still. - Dorothea |
| entirely change my idea. - Edward | Lange |
| Weston | |
| | Now to consult the rules of composition before |
| The difficulty with color is to go beyond the | making a picture is a little like consulting the |
| fact that it's color to have it be not just a | law of gravitation before going for a walk. |
| colorful picture but really be a picture about | Such rules and laws are deduced from the |
| something. It's difficult. So often color gets | accomplished fact; they are the products of |
| caught up in color, and it becomes merely | reflection . . . - Edward Weston |
| decorative. Some photographers use [ it ] | |
| brilliantly to make visual statements combining | |
| color and content; otherwise it is empty. | |
| - Mary Ellen Mark | |
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