| One should really use the camera as though | There is nothing worse than a sharp image of |
| tomorrow you'd be stricken blind. | a fuzzy concept. - Ansel Adams |
| - Dorothea Lange | |
| | Photography is my passion. - Alfred |
| The camera makes everyone a tourist in other | Stieglitz |
| people's reality. - Susan Sontag | |
| | [Photography] is a way of feeling, of touching, |
| The difficulty with color is to go beyond the | of loving. What you have caught on film is |
| fact that it's color to have it be not just a | captured forever . . . it remembers little things, |
| colorful picture but really be a picture about | long after you have forgotten everything. |
| something. It's difficult. So often color gets | - Aaron Siskind |
| caught up in color, and it becomes merely | |
| decorative. Some photographers use [ it ] | |
| brilliantly to make visual statements combining | |
| color and content; otherwise it is empty. | |
| - Mary Ellen Mark | |
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Durham |
Cleveland |
Tulsa |
Bronx |
Trenton |
Indianapolis |
Springfield |
Tucson |
Palm Coast |
Hanover |
Tempe |
Pottstown |
Stillwater |
Tyler |
Ladysmith |
Quincy |
Beloit |
Rialto |
Buffalo |
Sonora |
Franklin |
Hammonton |
North Highlands |
Suffolk |
Concordia |
Pie |
Lagrange |
Lebanon |
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| Photography knows how to authenticate its | A room hung with pictures is a room hung with |
| misrepresentations. - Mason Cooley | thoughts. - Sir Joshua Reynolds |
| | |
| Memory is very important, the memory of | Keep it simple. - Alfred Eienstaedt |
| each photo taken, flowing at the same speed | |
| as the event. During the work, you have to be | Sometimes you can tell a large story with a |
| sure that you haven't left any holes, that you've | tiny subject. - Eliot Porter |
| captured everything, because afterwards it will | |
| be too late. - Henri Cartier Bresson | No place is boring, if you've had a good |
| | night's sleep and have a pocket full of |
| | unexposed film. - Robert Adams |
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