| You can find pictures anywhere. It's simply a | "Simply look with perceptive eyes at the |
| matter of noticing things and organizing them. | world about you, and trust to your own |
| You just have to care about what's around you | reactions and convictions. Ask yourself: |
| and have a concern with humanity and the | "Does this subject move me to feel, think |
| human comedy. - Elliott Erwitt | and dream? Can I visualize a print - my own |
| | personal statement of what I feel and want to |
| A good picture is equivalent to a good deed. | convey - from the subject before me?" |
| - Vincent Van Gogh | - Ansel Adams |
| | |
| You learn to see by practice. It's just like | It is not the language of painters but the |
| playing tennis, you get better the more you | language of nature which one should listen to. |
| play. The more you look around at things, the | . . . The feeling for the things themselves, for |
| more you see. The more you photograph, the | reality, is more important than the feeling for |
| more you realize what can be photographed | pictures. - Vincent Van Gogh |
| and what can't be photographed. You just have | |
| to keep doing it. - Eliot Porter | |
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Indianapolis |
Corpus Christi |
Phoenix |
Buffalo |
Stamford |
Madison |
Pasadena |
Arlington |
Coral Gables |
Tupelo |
Stratford |
Springfield |
Medford |
Des Moines |
Santa Monica |
Bradford |
The Colony |
Manchester |
Lock Haven |
Clarksville |
Leesville |
Binghampton |
Mt. Vernon |
Holdrege |
Wadesboro |
Conroe |
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| Photography knows how to authenticate its | The camera makes everyone a tourist in other |
| misrepresentations. - Mason Cooley | people's reality. - Susan Sontag |
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| Memory is very important, the memory of | The virtue of the camera is not the power it |
| each photo taken, flowing at the same speed | has to transform the photographer into an |
| as the event. During the work, you have to be | artist, but the impulse it gives him to keep on |
| sure that you haven't left any holes, that you've | looking. - Brooks Anderson |
| captured everything, because afterwards it will | |
| be too late. - Henri Cartier Bresson | A mad, keen photographer needs to get out |
| | into the world and work and make mistakes. |
| | - Sam Abell |
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