| One should really use the camera as though | You've got to push yourself harder. You've got |
| tomorrow you'd be stricken blind. | to start looking for pictures nobody else could |
| - Dorothea Lange | take. You've got to take the tools you have and |
| | probe deeper. - William Albert Allard |
| A mad, keen photographer needs to get out | |
| into the world and work and make mistakes. | ...words and pictures can work together to |
| - Sam Abell | communicate more powerfully than either |
| | alone. -William Albert Allard |
| The difficulty with color is to go beyond the | |
| fact that it's color to have it be not just a | Pictures you have taken have an influence on |
| colorful picture but really be a picture about | those that you are going to make. |
| something. It's difficult. So often color gets | That's life! - John Sexton |
| caught up in color, and it becomes merely | |
| decorative. Some photographers use [ it ] | |
| brilliantly to make visual statements combining | |
| color and content; otherwise it is empty. | |
| - Mary Ellen Mark | |
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Pittsburgh |
Houston |
Lincoln |
Charlotte |
Tampa |
Williamsburg |
Provo |
Buffalo |
Hialeah |
Orland Park |
Decatur |
Gulfport |
Herndon |
New Albany |
Lawndale |
Simi Valley |
Monahans |
Greenville |
Sebring |
Monticello |
Louisville |
Clifton |
Batesville |
Brooksville |
Prince George |
Gillette |
Denver Broomfield |
Sterling |
Harmarville |
Hobart |
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| Photography takes an instant out of time, | I think the best pictures are often on the edges |
| altering life by holding it still. - Dorothea | of any situation, I don't find photographing the |
| Lange | situation nearly as interesting as |
| | photographing the edges. - William Albert |
| Now to consult the rules of composition before | Allard |
| making a picture is a little like consulting the | |
| law of gravitation before going for a walk. | No place is boring, if you've had a good |
| Such rules and laws are deduced from the | night's sleep and have a pocket full of |
| accomplished fact; they are the products of | unexposed film. - Robert Adams |
| reflection . . . - Edward Weston | |
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