| You learn to see by practice. It's just like | Photography takes an instant out of time, |
| playing tennis, you get better the more you | altering life by holding it still. - Dorothea |
| play. The more you look around at things, the | Lange |
| more you see. The more you photograph, the | |
| more you realize what can be photographed | There is nothing worse than a sharp image of |
| and what can't be photographed. You just have | a fuzzy concept. - Ansel Adams |
| to keep doing it. - Eliot Porter | |
| | Photography is my passion. - Alfred |
| Sometimes you can tell a large story with a | Stieglitz |
| tiny subject. - Eliot Porter | |
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Seattle |
Bayside |
Roanoke |
Lincoln |
Conroe |
Lancaster |
Boulder |
Dallas |
Nederland |
Chattanooga |
Manchester |
Kennesaw |
Gaithersburg |
Lebanon |
Coon Rapids |
Methuen |
Alpharetta |
Pontiac |
Corbin |
New Smyrna Beach |
Bronx |
Paintsville |
Washington |
Mill Valley |
Carbondale |
Old Forge |
Las Vegas |
Petaluma |
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| I think you have to have a real point of view | Photography suits the temper of this ageof |
| that's your own. You have to tell it your way. | active bodies and minds. It is a perfect |
| And, I think that it's a mistake to shoot for a | medium for one whose mind is teeming with |
| specific magazine's point of view because it's | ideas, imagery, for a prolific worker who |
| never going to be as good. You have to shoot | would be slowed down by painting or |
| for yourself and photograph [the way] you | sculpting, for one who sees quickly and acts |
| believe it. - Mary Ellen Mark | decisively, accurately. - Edward Weston |
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| Memory is very important, the memory of | A mad, keen photographer needs to get out |
| each photo taken, flowing at the same speed | into the world and work and make mistakes. |
| as the event. During the work, you have to be | - Sam Abell |
| sure that you haven't left any holes, that you've | |
| captured everything, because afterwards it will | |
| be too late. - Henri Cartier Bresson | |
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