| Sometimes you can tell a large story with a | Memory is very important, the memory of |
| tiny subject. - Eliot Porter | each photo taken, flowing at the same speed |
| | as the event. During the work, you have to be |
| A picture is the expression of an impression. If | sure that you haven't left any holes, that you've |
| the beautiful were not in us, how would we | captured everything, because afterwards it will |
| ever recognize it? - Ernst Haas | be too late. - Henri Cartier Bresson |
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| A good picture is equivalent to a good deed. | Photography is a major force in explaining |
| - Vincent Van Gogh | man to man. - Edward Steichen |
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San Diego |
Los Angeles |
Washington |
St. Louis |
Raleigh |
Akron |
Overland Park |
Toledo |
Clovis |
Manheim |
Gautier |
Coleman |
Niagara Falls |
Pennsville |
Van Buren |
Milwaukee |
Findlay |
Dodge City |
Sandusky |
Waukesha |
Westford |
Millbury |
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| Photography takes an instant out of time, | I almost never set out to photograph a |
| altering life by holding it still. - Dorothea | landscape, nor do I think of my camera as a |
| Lange | means of recording a mountain or an animal |
| | unless I absolutely need a 'record shot'. My |
| "Simply look with perceptive eyes at the | first thought is always of light. - Galen |
| world about you, and trust to your own | Rowell |
| reactions and convictions. Ask yourself: | |
| "Does this subject move me to feel, think | The difficulty with color is to go beyond the |
| and dream? Can I visualize a print - my own | fact that it's color to have it be not just a |
| personal statement of what I feel and want to | colorful picture but really be a picture about |
| convey - from the subject before me?" | something. It's difficult. So often color gets |
| - Ansel Adams | caught up in color, and it becomes merely |
| | decorative. Some photographers use [ it ] |
| | brilliantly to make visual statements combining |
| | color and content; otherwise it is empty. |
| | - Mary Ellen Mark |
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