| I think the best pictures are often on the edges | [Photography] is a way of feeling, of touching, |
| of any situation, I don't find photographing the | of loving. What you have caught on film is |
| situation nearly as interesting as | captured forever . . . it remembers little things, |
| photographing the edges. - William Albert | long after you have forgotten everything. |
| Allard | - Aaron Siskind |
| | |
| You can find pictures anywhere. It's simply a | Photography takes an instant out of time, |
| matter of noticing things and organizing them. | altering life by holding it still. - Dorothea |
| You just have to care about what's around you | Lange |
| and have a concern with humanity and the | |
| human comedy. - Elliott Erwitt | |
|
|
Louisville |
Charlotte |
Oklahoma City |
Columbus |
Cocoa |
Bonham |
Redmond |
Pella |
St. Joseph |
Neptune |
Bedford |
Pontiac |
Westport |
Mount Airy |
Corbin |
Kapaa |
Smyrna |
Richfield |
Kailua Kona |
Fraser |
Muskogee |
Fort Dodge |
Bowling Green |
Murphy |
Oneonta |
|
|
| I think you have to have a real point of view | One should really use the camera as though |
| that's your own. You have to tell it your way. | tomorrow you'd be stricken blind. |
| And, I think that it's a mistake to shoot for a | - Dorothea Lange |
| specific magazine's point of view because it's | |
| never going to be as good. You have to shoot | The camera makes everyone a tourist in other |
| for yourself and photograph [the way] you | people's reality. - Susan Sontag |
| believe it. - Mary Ellen Mark | |
| | The difficulty with color is to go beyond the |
| Photography records the gamut of feelings | fact that it's color to have it be not just a |
| written on the human face, the beauty of the | colorful picture but really be a picture about |
| earth and skies that man has inherited and the | something. It's difficult. So often color gets |
| wealth and confusion man has created. | caught up in color, and it becomes merely |
| - Edward Steichen | decorative. Some photographers use [ it ] |
| | brilliantly to make visual statements combining |
| | color and content; otherwise it is empty. |
| | - Mary Ellen Mark |
|