| ...words and pictures can work together to | A room hung with pictures is a room hung with |
| communicate more powerfully than either | thoughts. - Sir Joshua Reynolds |
| alone. -William Albert Allard | |
| | A great photograph is one that fully expresses |
| Memory is very important, the memory of | what one feels, in the deepest sense, about |
| each photo taken, flowing at the same speed | what is being photographed. - Ansel |
| as the event. During the work, you have to be | Adams |
| sure that you haven't left any holes, that you've | |
| captured everything, because afterwards it will | Keep it simple. - Alfred Eienstaedt |
| be too late. - Henri Cartier Bresson | |
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New York |
Houston |
Louisville |
Tulsa |
Syracuse |
Springfield |
Irvine |
Hampton |
Shelbyville |
Clarksville |
North Fort Myers |
Clarion |
Oceanside |
Sleepy Eye |
New Boston |
Fairfield |
Owings Mills |
Olean |
Tulare |
Bethany Beach |
Shawnee |
Jacksonville |
Pontiac |
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| The camera makes everyone a tourist in other | There is nothing worse than a sharp image of |
| people's reality. - Susan Sontag | a fuzzy concept. - Ansel Adams |
| | |
| My own eyes are no more than scouts on a | Photography takes an instant out of time, |
| preliminary search, for the camera's eye may | altering life by holding it still. - Dorothea |
| entirely change my idea. - Edward | Lange |
| Weston | |
| | "Simply look with perceptive eyes at the |
| A mad, keen photographer needs to get out | world about you, and trust to your own |
| into the world and work and make mistakes. | reactions and convictions. Ask yourself: |
| - Sam Abell | "Does this subject move me to feel, think |
| | and dream? Can I visualize a print - my own |
| | personal statement of what I feel and want to |
| | convey - from the subject before me?" |
| | - Ansel Adams |
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