| Sometimes you can tell a large story with a | Now to consult the rules of composition before |
| tiny subject. - Eliot Porter | making a picture is a little like consulting the |
| | law of gravitation before going for a walk. |
| You learn to see by practice. It's just like | Such rules and laws are deduced from the |
| playing tennis, you get better the more you | accomplished fact; they are the products of |
| play. The more you look around at things, the | reflection . . . - Edward Weston |
| more you see. The more you photograph, the | |
| more you realize what can be photographed | There is nothing worse than a sharp image of |
| and what can't be photographed. You just have | a fuzzy concept. - Ansel Adams |
| to keep doing it. - Eliot Porter | |
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New York |
Phoenix |
Providence |
Fairfax |
Wichita Falls |
Corpus Christi |
Abilene |
Johnson City |
Mount Vernon |
Henderson |
Franklin |
Hamburg |
Coleman |
Pottstown |
Juno Beach |
College Park |
Norwich |
Weirton |
Laredo |
Smyrna |
Milwaukie |
Garden Grove |
Mankato |
Murphy |
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| Photography is a major force in explaining | One should really use the camera as though |
| man to man. - Edward Steichen | tomorrow you'd be stricken blind. |
| | - Dorothea Lange |
| You've got to push yourself harder. You've got | |
| to start looking for pictures nobody else could | My own eyes are no more than scouts on a |
| take. You've got to take the tools you have and | preliminary search, for the camera's eye may |
| probe deeper. - William Albert Allard | entirely change my idea. - Edward |
| | Weston |
| Photography records the gamut of feelings | |
| written on the human face, the beauty of the | A mad, keen photographer needs to get out |
| earth and skies that man has inherited and the | into the world and work and make mistakes. |
| wealth and confusion man has created. | - Sam Abell |
| - Edward Steichen | |
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