| Photography suits the temper of this ageof | I think the best pictures are often on the edges |
| active bodies and minds. It is a perfect | of any situation, I don't find photographing the |
| medium for one whose mind is teeming with | situation nearly as interesting as |
| ideas, imagery, for a prolific worker who | photographing the edges. - William Albert |
| would be slowed down by painting or | Allard |
| sculpting, for one who sees quickly and acts | |
| decisively, accurately. - Edward Weston | No place is boring, if you've had a good |
| | night's sleep and have a pocket full of |
| The difficulty with color is to go beyond the | unexposed film. - Robert Adams |
| fact that it's color to have it be not just a | |
| colorful picture but really be a picture about | |
| something. It's difficult. So often color gets | |
| caught up in color, and it becomes merely | |
| decorative. Some photographers use [ it ] | |
| brilliantly to make visual statements combining | |
| color and content; otherwise it is empty. | |
| - Mary Ellen Mark | |
|
|
Philadelphia |
San Antonio |
Colorado Springs |
Seattle |
Brooklyn |
Baton Rouge |
Bronx |
Beaumont |
Stamford |
Las Cruces |
Yorba Linda |
Huntington |
Corinth |
Coraopolis |
Hemet |
Anniston |
Coral Springs |
Tulare |
Purcell |
South Burlington |
Downers Grove |
Kilgore |
Westford |
Red Bank |
Totowa |
Northborough |
West Chester |
Bellingham |
Utica |
Franklin |
|
|
| Photography is about finding out what can | "Simply look with perceptive eyes at the |
| happen in the frame. When you put four | world about you, and trust to your own |
| edges around some facts, you change those | reactions and convictions. Ask yourself: |
| facts. - Gary Winogrand | "Does this subject move me to feel, think |
| | and dream? Can I visualize a print - my own |
| You've got to push yourself harder. You've got | personal statement of what I feel and want to |
| to start looking for pictures nobody else could | convey - from the subject before me?" |
| take. You've got to take the tools you have and | - Ansel Adams |
| probe deeper. - William Albert Allard | |
| | Above all, it's hard learning to live with vivid |
| | mental images of scenes I cared for and failed |
| | to photograph. It is the edgy existence within |
| | me of these unmade images that is the only |
| | assurance that the best photographs are yet to |
| | be made. - Sam Abell |
|