| "Simply look with perceptive eyes at the | A picture is the expression of an impression. If |
| world about you, and trust to your own | the beautiful were not in us, how would we |
| reactions and convictions. Ask yourself: | ever recognize it? - Ernst Haas |
| "Does this subject move me to feel, think | |
| and dream? Can I visualize a print - my own | You can find pictures anywhere. It's simply a |
| personal statement of what I feel and want to | matter of noticing things and organizing them. |
| convey - from the subject before me?" | You just have to care about what's around you |
| - Ansel Adams | and have a concern with humanity and the |
| | human comedy. - Elliott Erwitt |
| There is nothing worse than a sharp image of | |
| a fuzzy concept. - Ansel Adams | |
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New York |
Chicago |
Philadelphia |
Raleigh |
Huntsville |
San Pedro |
Moreno Valley |
Oak Lawn |
Boca Raton |
Milledgeville |
Palm Beach Gardens |
Gardena |
Boscobel |
Geneva |
Vineland |
Clawson |
Martinsville |
Urbana |
Cupertino |
Seekonk |
Renton |
Warsaw |
Pontoon Beach |
Ft Walton |
Luling |
Beaufort |
Berlin |
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| Pictures you have taken have an influence on | One should really use the camera as though |
| those that you are going to make. | tomorrow you'd be stricken blind. |
| That's life! - John Sexton | - Dorothea Lange |
| | |
| ...words and pictures can work together to | The camera makes everyone a tourist in other |
| communicate more powerfully than either | people's reality. - Susan Sontag |
| alone. -William Albert Allard | |
| | The virtue of the camera is not the power it |
| You've got to push yourself harder. You've got | has to transform the photographer into an |
| to start looking for pictures nobody else could | artist, but the impulse it gives him to keep on |
| take. You've got to take the tools you have and | looking. - Brooks Anderson |
| probe deeper. - William Albert Allard | |
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