| "Simply look with perceptive eyes at the | Photography is about finding out what can |
| world about you, and trust to your own | happen in the frame. When you put four |
| reactions and convictions. Ask yourself: | edges around some facts, you change those |
| "Does this subject move me to feel, think | facts. - Gary Winogrand |
| and dream? Can I visualize a print - my own | |
| personal statement of what I feel and want to | Photography is a major force in explaining |
| convey - from the subject before me?" | man to man. - Edward Steichen |
| - Ansel Adams | |
| | ...words and pictures can work together to |
| There is nothing worse than a sharp image of | communicate more powerfully than either |
| a fuzzy concept. - Ansel Adams | alone. -William Albert Allard |
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Philadelphia |
San Antonio |
Los Angeles |
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Charlotte |
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Canton |
New York |
Memphis |
Tallahassee |
Garden Grove |
Athens |
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Edmond |
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Cleveland |
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| A good picture is equivalent to a good deed. | The difficulty with color is to go beyond the |
| - Vincent Van Gogh | fact that it's color to have it be not just a |
| | colorful picture but really be a picture about |
| A great photograph is one that fully expresses | something. It's difficult. So often color gets |
| what one feels, in the deepest sense, about | caught up in color, and it becomes merely |
| what is being photographed. - Ansel | decorative. Some photographers use [ it ] |
| Adams | brilliantly to make visual statements combining |
| | color and content; otherwise it is empty. |
| Keep it simple. - Alfred Eienstaedt | - Mary Ellen Mark |
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