| Photography suits the temper of this ageof | Photography is a major force in explaining |
| active bodies and minds. It is a perfect | man to man. - Edward Steichen |
| medium for one whose mind is teeming with | |
| ideas, imagery, for a prolific worker who | I think you have to have a real point of view |
| would be slowed down by painting or | that's your own. You have to tell it your way. |
| sculpting, for one who sees quickly and acts | And, I think that it's a mistake to shoot for a |
| decisively, accurately. - Edward Weston | specific magazine's point of view because it's |
| | never going to be as good. You have to shoot |
| A mad, keen photographer needs to get out | for yourself and photograph [the way] you |
| into the world and work and make mistakes. | believe it. - Mary Ellen Mark |
| - Sam Abell | |
|
|
Houston |
Brooklyn |
Cincinnati |
Columbus |
Minneapolis |
Fort Myers |
Grand Rapids |
Charleston |
Macon |
Brockton |
Newport |
Harrisonburg |
Chesapeake |
Nederland |
Greenwood |
Syosset |
Paragould |
Monroe |
Laredo |
Dickson |
Stoughton |
|
|
| I think the best pictures are often on the edges | [Photography] is a way of feeling, of touching, |
| of any situation, I don't find photographing the | of loving. What you have caught on film is |
| situation nearly as interesting as | captured forever . . . it remembers little things, |
| photographing the edges. - William Albert | long after you have forgotten everything. |
| Allard | - Aaron Siskind |
| | |
| A great photograph is one that fully expresses | There is nothing worse than a sharp image of |
| what one feels, in the deepest sense, about | a fuzzy concept. - Ansel Adams |
| what is being photographed. - Ansel | |
| Adams | "Simply look with perceptive eyes at the |
| | world about you, and trust to your own |
| | reactions and convictions. Ask yourself: |
| | "Does this subject move me to feel, think |
| | and dream? Can I visualize a print - my own |
| | personal statement of what I feel and want to |
| | convey - from the subject before me?" |
| | - Ansel Adams |
|