| Memory is very important, the memory of | The camera makes everyone a tourist in other |
| each photo taken, flowing at the same speed | people's reality. - Susan Sontag |
| as the event. During the work, you have to be | |
| sure that you haven't left any holes, that you've | The difficulty with color is to go beyond the |
| captured everything, because afterwards it will | fact that it's color to have it be not just a |
| be too late. - Henri Cartier Bresson | colorful picture but really be a picture about |
| | something. It's difficult. So often color gets |
| Pictures you have taken have an influence on | caught up in color, and it becomes merely |
| those that you are going to make. | decorative. Some photographers use [ it ] |
| That's life! - John Sexton | brilliantly to make visual statements combining |
| | color and content; otherwise it is empty. |
| | - Mary Ellen Mark |
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| Keep it simple. - Alfred Eienstaedt | Once photography enters your bloodstream, |
| | it's like a disease. - Anon |
| Sometimes you can tell a large story with a | |
| tiny subject. - Eliot Porter | [Photography] is a way of feeling, of touching, |
| | of loving. What you have caught on film is |
| A great photograph is one that fully expresses | captured forever . . . it remembers little things, |
| what one feels, in the deepest sense, about | long after you have forgotten everything. |
| what is being photographed. - Ansel | - Aaron Siskind |
| Adams | |
| | Now to consult the rules of composition before |
| | making a picture is a little like consulting the |
| | law of gravitation before going for a walk. |
| | Such rules and laws are deduced from the |
| | accomplished fact; they are the products of |
| | reflection . . . - Edward Weston |
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