| [Photography] is a way of feeling, of touching, | The camera makes everyone a tourist in other |
| of loving. What you have caught on film is | people's reality. - Susan Sontag |
| captured forever . . . it remembers little things, | |
| long after you have forgotten everything. | Photography suits the temper of this ageof |
| - Aaron Siskind | active bodies and minds. It is a perfect |
| | medium for one whose mind is teeming with |
| "Simply look with perceptive eyes at the | ideas, imagery, for a prolific worker who |
| world about you, and trust to your own | would be slowed down by painting or |
| reactions and convictions. Ask yourself: | sculpting, for one who sees quickly and acts |
| "Does this subject move me to feel, think | decisively, accurately. - Edward Weston |
| and dream? Can I visualize a print - my own | |
| personal statement of what I feel and want to | |
| convey - from the subject before me?" | |
| - Ansel Adams | |
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| Memory is very important, the memory of | A good picture is equivalent to a good deed. |
| each photo taken, flowing at the same speed | - Vincent Van Gogh |
| as the event. During the work, you have to be | |
| sure that you haven't left any holes, that you've | No place is boring, if you've had a good |
| captured everything, because afterwards it will | night's sleep and have a pocket full of |
| be too late. - Henri Cartier Bresson | unexposed film. - Robert Adams |
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| I think you have to have a real point of view | A room hung with pictures is a room hung with |
| that's your own. You have to tell it your way. | thoughts. - Sir Joshua Reynolds |
| And, I think that it's a mistake to shoot for a | |
| specific magazine's point of view because it's | |
| never going to be as good. You have to shoot | |
| for yourself and photograph [the way] you | |
| believe it. - Mary Ellen Mark | |
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