| There is nothing worse than a sharp image of | The difficulty with color is to go beyond the |
| a fuzzy concept. - Ansel Adams | fact that it's color to have it be not just a |
| | colorful picture but really be a picture about |
| "Simply look with perceptive eyes at the | something. It's difficult. So often color gets |
| world about you, and trust to your own | caught up in color, and it becomes merely |
| reactions and convictions. Ask yourself: | decorative. Some photographers use [ it ] |
| "Does this subject move me to feel, think | brilliantly to make visual statements combining |
| and dream? Can I visualize a print - my own | color and content; otherwise it is empty. |
| personal statement of what I feel and want to | - Mary Ellen Mark |
| convey - from the subject before me?" | |
| - Ansel Adams | |
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Philadelphia |
Los Angeles |
Colorado Springs |
Warren |
Boise |
Springfield |
Longwood |
Idaho Falls |
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Littleton |
Belleville |
Iowa City |
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Port Angeles |
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Hemet |
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Ephrata |
Butler |
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West Plains |
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| Memory is very important, the memory of | A good picture is equivalent to a good deed. |
| each photo taken, flowing at the same speed | - Vincent Van Gogh |
| as the event. During the work, you have to be | |
| sure that you haven't left any holes, that you've | Sometimes you can tell a large story with a |
| captured everything, because afterwards it will | tiny subject. - Eliot Porter |
| be too late. - Henri Cartier Bresson | |
| | I think the best pictures are often on the edges |
| Pictures you have taken have an influence on | of any situation, I don't find photographing the |
| those that you are going to make. | situation nearly as interesting as |
| That's life! - John Sexton | photographing the edges. - William Albert |
| | Allard |
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