| I think you have to have a real point of view | Keep it simple. - Alfred Eienstaedt |
| that's your own. You have to tell it your way. | |
| And, I think that it's a mistake to shoot for a | I think the best pictures are often on the edges |
| specific magazine's point of view because it's | of any situation, I don't find photographing the |
| never going to be as good. You have to shoot | situation nearly as interesting as |
| for yourself and photograph [the way] you | photographing the edges. - William Albert |
| believe it. - Mary Ellen Mark | Allard |
| | |
| You've got to push yourself harder. You've got | A great photograph is one that fully expresses |
| to start looking for pictures nobody else could | what one feels, in the deepest sense, about |
| take. You've got to take the tools you have and | what is being photographed. - Ansel |
| probe deeper. - William Albert Allard | Adams |
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Nashville |
Denver |
Cincinnati |
Jacksonville |
Houston |
St. George |
Newport News |
Warwick |
Allen |
Zanesville |
Bowling Green |
Pottstown |
Fitzgerald |
Memphis |
Warrington |
Kearney |
Mosinee |
Clinton |
East Syracuse |
Burbank |
Indiana |
Cleveland |
St Goar |
Pacifica |
Merrillville |
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| There is nothing worse than a sharp image of | The virtue of the camera is not the power it |
| a fuzzy concept. - Ansel Adams | has to transform the photographer into an |
| | artist, but the impulse it gives him to keep on |
| "Simply look with perceptive eyes at the | looking. - Brooks Anderson |
| world about you, and trust to your own | |
| reactions and convictions. Ask yourself: | A mad, keen photographer needs to get out |
| "Does this subject move me to feel, think | into the world and work and make mistakes. |
| and dream? Can I visualize a print - my own | - Sam Abell |
| personal statement of what I feel and want to | |
| convey - from the subject before me?" | Photography suits the temper of this ageof |
| - Ansel Adams | active bodies and minds. It is a perfect |
| | medium for one whose mind is teeming with |
| | ideas, imagery, for a prolific worker who |
| | would be slowed down by painting or |
| | sculpting, for one who sees quickly and acts |
| | decisively, accurately. - Edward Weston |
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