| You've got to push yourself harder. You've got | "Simply look with perceptive eyes at the |
| to start looking for pictures nobody else could | world about you, and trust to your own |
| take. You've got to take the tools you have and | reactions and convictions. Ask yourself: |
| probe deeper. - William Albert Allard | "Does this subject move me to feel, think |
| | and dream? Can I visualize a print - my own |
| Pictures you have taken have an influence on | personal statement of what I feel and want to |
| those that you are going to make. | convey - from the subject before me?" |
| That's life! - John Sexton | - Ansel Adams |
| | |
| ...words and pictures can work together to | Once photography enters your bloodstream, |
| communicate more powerfully than either | it's like a disease. - Anon |
| alone. -William Albert Allard | |
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Philadelphia |
Dallas |
Miami |
San Francisco |
Phoenix |
Tulsa |
Orlando |
Minneapolis |
Johnson City |
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Newport News |
Edina |
Denver |
Deerfield Beach |
New Smyrna Beach |
Waterloo |
Elk Grove Village |
New York |
Le Mars |
Mason |
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Rome |
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| I almost never set out to photograph a | A great photograph is one that fully expresses |
| landscape, nor do I think of my camera as a | what one feels, in the deepest sense, about |
| means of recording a mountain or an animal | what is being photographed. - Ansel |
| unless I absolutely need a 'record shot'. My | Adams |
| first thought is always of light. - Galen | |
| Rowell | A good picture is equivalent to a good deed. |
| | - Vincent Van Gogh |
| The difficulty with color is to go beyond the | |
| fact that it's color to have it be not just a | Keep it simple. - Alfred Eienstaedt |
| colorful picture but really be a picture about | |
| something. It's difficult. So often color gets | |
| caught up in color, and it becomes merely | |
| decorative. Some photographers use [ it ] | |
| brilliantly to make visual statements combining | |
| color and content; otherwise it is empty. | |
| - Mary Ellen Mark | |
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