| [Photography] is a way of feeling, of touching, | One should really use the camera as though |
| of loving. What you have caught on film is | tomorrow you'd be stricken blind. |
| captured forever . . . it remembers little things, | - Dorothea Lange |
| long after you have forgotten everything. | |
| - Aaron Siskind | My own eyes are no more than scouts on a |
| | preliminary search, for the camera's eye may |
| It is not the language of painters but the | entirely change my idea. - Edward |
| language of nature which one should listen to. | Weston |
| . . . The feeling for the things themselves, for | |
| reality, is more important than the feeling for | The camera makes everyone a tourist in other |
| pictures. - Vincent Van Gogh | people's reality. - Susan Sontag |
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Chicago |
New York |
Pittsburgh |
Philadelphia |
San Antonio |
Trenton |
Kalamazoo |
Johnson City |
Easton |
San Francisco |
Albuquerque |
Mobile |
Fairfield |
Latham |
Eunice |
Conneaut |
Marysville |
Newark |
Tempe |
Hartwell |
Jonesboro |
New Rochelle |
Cisco |
Mobridge |
Highland Park |
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| A good picture is equivalent to a good deed. | Memory is very important, the memory of |
| - Vincent Van Gogh | each photo taken, flowing at the same speed |
| | as the event. During the work, you have to be |
| No place is boring, if you've had a good | sure that you haven't left any holes, that you've |
| night's sleep and have a pocket full of | captured everything, because afterwards it will |
| unexposed film. - Robert Adams | be too late. - Henri Cartier Bresson |
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| A picture is the expression of an impression. If | ...words and pictures can work together to |
| the beautiful were not in us, how would we | communicate more powerfully than either |
| ever recognize it? - Ernst Haas | alone. -William Albert Allard |
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