| It is not the language of painters but the | The difficulty with color is to go beyond the |
| language of nature which one should listen to. | fact that it's color to have it be not just a |
| . . . The feeling for the things themselves, for | colorful picture but really be a picture about |
| reality, is more important than the feeling for | something. It's difficult. So often color gets |
| pictures. - Vincent Van Gogh | caught up in color, and it becomes merely |
| | decorative. Some photographers use [ it ] |
| Now to consult the rules of composition before | brilliantly to make visual statements combining |
| making a picture is a little like consulting the | color and content; otherwise it is empty. |
| law of gravitation before going for a walk. | - Mary Ellen Mark |
| Such rules and laws are deduced from the | |
| accomplished fact; they are the products of | |
| reflection . . . - Edward Weston | |
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Chicago |
Houston |
New York |
Greenville |
Tallahassee |
Anaheim |
Orlando |
Saginaw |
Phoenix |
Plantation |
Long Island City |
Westminster |
Palm Desert |
Moline |
Trenton |
Sherman |
Independence |
Exton |
Jackson |
South Burlington |
Coral Springs |
Dana Point |
Madison |
Newark |
Tahlequah |
Monterrey |
La Pine |
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| Photography is a major force in explaining | A good picture is equivalent to a good deed. |
| man to man. - Edward Steichen | - Vincent Van Gogh |
| | |
| Photography knows how to authenticate its | A room hung with pictures is a room hung with |
| misrepresentations. - Mason Cooley | thoughts. - Sir Joshua Reynolds |
| | |
| Photography is about finding out what can | No place is boring, if you've had a good |
| happen in the frame. When you put four | night's sleep and have a pocket full of |
| edges around some facts, you change those | unexposed film. - Robert Adams |
| facts. - Gary Winogrand | |
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