| A good picture is equivalent to a good deed. | It is not the language of painters but the |
| - Vincent Van Gogh | language of nature which one should listen to. |
| | . . . The feeling for the things themselves, for |
| A room hung with pictures is a room hung with | reality, is more important than the feeling for |
| thoughts. - Sir Joshua Reynolds | pictures. - Vincent Van Gogh |
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| Sometimes you can tell a large story with a | "Simply look with perceptive eyes at the |
| tiny subject. - Eliot Porter | world about you, and trust to your own |
| | reactions and convictions. Ask yourself: |
| You can find pictures anywhere. It's simply a | "Does this subject move me to feel, think |
| matter of noticing things and organizing them. | and dream? Can I visualize a print - my own |
| You just have to care about what's around you | personal statement of what I feel and want to |
| and have a concern with humanity and the | convey - from the subject before me?" |
| human comedy. - Elliott Erwitt | - Ansel Adams |
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| I think you have to have a real point of view | My own eyes are no more than scouts on a |
| that's your own. You have to tell it your way. | preliminary search, for the camera's eye may |
| And, I think that it's a mistake to shoot for a | entirely change my idea. - Edward |
| specific magazine's point of view because it's | Weston |
| never going to be as good. You have to shoot | |
| for yourself and photograph [the way] you | One should really use the camera as though |
| believe it. - Mary Ellen Mark | tomorrow you'd be stricken blind. |
| | - Dorothea Lange |
| Photography records the gamut of feelings | |
| written on the human face, the beauty of the | The camera makes everyone a tourist in other |
| earth and skies that man has inherited and the | people's reality. - Susan Sontag |
| wealth and confusion man has created. | |
| - Edward Steichen | |
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