| A room hung with pictures is a room hung with | "Simply look with perceptive eyes at the |
| thoughts. - Sir Joshua Reynolds | world about you, and trust to your own |
| | reactions and convictions. Ask yourself: |
| A picture is the expression of an impression. If | "Does this subject move me to feel, think |
| the beautiful were not in us, how would we | and dream? Can I visualize a print - my own |
| ever recognize it? - Ernst Haas | personal statement of what I feel and want to |
| | convey - from the subject before me?" |
| Sometimes you can tell a large story with a | - Ansel Adams |
| tiny subject. - Eliot Porter | |
| | Above all, it's hard learning to live with vivid |
| | mental images of scenes I cared for and failed |
| | to photograph. It is the edgy existence within |
| | me of these unmade images that is the only |
| | assurance that the best photographs are yet to |
| | be made. - Sam Abell |
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Houston |
San Antonio |
Lexington |
Phoenix |
Mesquite |
Ann Arbor |
Cambridge |
Los Angeles |
Liverpool |
Galveston |
Watertown |
Iselin |
Saddle Brook |
Jonesboro |
Warrenton |
Lawrence |
La Quinta |
Rayville |
Culver City |
Cedar Falls |
Danville |
Pittsfield |
Asheville |
Garland |
Beaufort |
Frostburg |
Danville |
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| I almost never set out to photograph a | You've got to push yourself harder. You've got |
| landscape, nor do I think of my camera as a | to start looking for pictures nobody else could |
| means of recording a mountain or an animal | take. You've got to take the tools you have and |
| unless I absolutely need a 'record shot'. My | probe deeper. - William Albert Allard |
| first thought is always of light. - Galen | |
| Rowell | Memory is very important, the memory of |
| | each photo taken, flowing at the same speed |
| The difficulty with color is to go beyond the | as the event. During the work, you have to be |
| fact that it's color to have it be not just a | sure that you haven't left any holes, that you've |
| colorful picture but really be a picture about | captured everything, because afterwards it will |
| something. It's difficult. So often color gets | be too late. - Henri Cartier Bresson |
| caught up in color, and it becomes merely | |
| decorative. Some photographers use [ it ] | |
| brilliantly to make visual statements combining | |
| color and content; otherwise it is empty. | |
| - Mary Ellen Mark | |
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