| Memory is very important, the memory of | "Simply look with perceptive eyes at the |
| each photo taken, flowing at the same speed | world about you, and trust to your own |
| as the event. During the work, you have to be | reactions and convictions. Ask yourself: |
| sure that you haven't left any holes, that you've | "Does this subject move me to feel, think |
| captured everything, because afterwards it will | and dream? Can I visualize a print - my own |
| be too late. - Henri Cartier Bresson | personal statement of what I feel and want to |
| | convey - from the subject before me?" |
| Photography is about finding out what can | - Ansel Adams |
| happen in the frame. When you put four | |
| edges around some facts, you change those | It is not the language of painters but the |
| facts. - Gary Winogrand | language of nature which one should listen to. |
| | . . . The feeling for the things themselves, for |
| | reality, is more important than the feeling for |
| | pictures. - Vincent Van Gogh |
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Cincinnati |
Miami |
Shreveport |
Albany |
Zanesville |
Palo Alto |
Bay City |
Springfield |
Reno |
Pocatello |
Orange |
Quincy |
Honolulu |
Marion |
San Juan Capistrano |
Moss Point |
Evanston |
Visalia |
Irving |
Artesia |
Okmulgee |
Portales |
Altamonte Springs |
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| The virtue of the camera is not the power it | A good picture is equivalent to a good deed. |
| has to transform the photographer into an | - Vincent Van Gogh |
| artist, but the impulse it gives him to keep on | |
| looking. - Brooks Anderson | You can find pictures anywhere. It's simply a |
| | matter of noticing things and organizing them. |
| A mad, keen photographer needs to get out | You just have to care about what's around you |
| into the world and work and make mistakes. | and have a concern with humanity and the |
| - Sam Abell | human comedy. - Elliott Erwitt |
| | |
| The difficulty with color is to go beyond the | I think the best pictures are often on the edges |
| fact that it's color to have it be not just a | of any situation, I don't find photographing the |
| colorful picture but really be a picture about | situation nearly as interesting as |
| something. It's difficult. So often color gets | photographing the edges. - William Albert |
| caught up in color, and it becomes merely | Allard |
| decorative. Some photographers use [ it ] | |
| brilliantly to make visual statements combining | |
| color and content; otherwise it is empty. | |
| - Mary Ellen Mark | |
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