| My own eyes are no more than scouts on a | I think you have to have a real point of view |
| preliminary search, for the camera's eye may | that's your own. You have to tell it your way. |
| entirely change my idea. - Edward | And, I think that it's a mistake to shoot for a |
| Weston | specific magazine's point of view because it's |
| | never going to be as good. You have to shoot |
| Photography suits the temper of this ageof | for yourself and photograph [the way] you |
| active bodies and minds. It is a perfect | believe it. - Mary Ellen Mark |
| medium for one whose mind is teeming with | |
| ideas, imagery, for a prolific worker who | ...words and pictures can work together to |
| would be slowed down by painting or | communicate more powerfully than either |
| sculpting, for one who sees quickly and acts | alone. -William Albert Allard |
| decisively, accurately. - Edward Weston | |
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Long Beach |
Nashville |
Slidell |
Akron |
Newport News |
Santa Cruz |
Leesburg |
Silver Spring |
Decatur |
Hickory |
Frankfort |
Beeville |
Sealy |
Sterling |
Luray |
Selma |
Maysville |
Lake St Louis |
Gainesville |
Stoughton |
Washington Court House |
Donegal |
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| You can find pictures anywhere. It's simply a | "Simply look with perceptive eyes at the |
| matter of noticing things and organizing them. | world about you, and trust to your own |
| You just have to care about what's around you | reactions and convictions. Ask yourself: |
| and have a concern with humanity and the | "Does this subject move me to feel, think |
| human comedy. - Elliott Erwitt | and dream? Can I visualize a print - my own |
| | personal statement of what I feel and want to |
| No place is boring, if you've had a good | convey - from the subject before me?" |
| night's sleep and have a pocket full of | - Ansel Adams |
| unexposed film. - Robert Adams | |
| | There is nothing worse than a sharp image of |
| | a fuzzy concept. - Ansel Adams |
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