| Memory is very important, the memory of | Keep it simple. - Alfred Eienstaedt |
| each photo taken, flowing at the same speed | |
| as the event. During the work, you have to be | No place is boring, if you've had a good |
| sure that you haven't left any holes, that you've | night's sleep and have a pocket full of |
| captured everything, because afterwards it will | unexposed film. - Robert Adams |
| be too late. - Henri Cartier Bresson | |
| | You learn to see by practice. It's just like |
| Photography knows how to authenticate its | playing tennis, you get better the more you |
| misrepresentations. - Mason Cooley | play. The more you look around at things, the |
| | more you see. The more you photograph, the |
| | more you realize what can be photographed |
| | and what can't be photographed. You just have |
| | to keep doing it. - Eliot Porter |
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San Antonio |
San Francisco |
St. Louis |
Boca Raton |
Syracuse |
Grand Prairie |
Hagerstown |
Jersey City |
Conway |
Sherman Oaks |
Schenectady |
Cerritos |
Wooster |
Sulphur Springs |
Lake Charles |
Bremerton |
Malden |
Edmonds |
Lebanon |
Grove |
Lisle |
Bridgeport |
Alsip |
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| Photography takes an instant out of time, | The virtue of the camera is not the power it |
| altering life by holding it still. - Dorothea | has to transform the photographer into an |
| Lange | artist, but the impulse it gives him to keep on |
| | looking. - Brooks Anderson |
| "Simply look with perceptive eyes at the | |
| world about you, and trust to your own | I almost never set out to photograph a |
| reactions and convictions. Ask yourself: | landscape, nor do I think of my camera as a |
| "Does this subject move me to feel, think | means of recording a mountain or an animal |
| and dream? Can I visualize a print - my own | unless I absolutely need a 'record shot'. My |
| personal statement of what I feel and want to | first thought is always of light. - Galen |
| convey - from the subject before me?" | Rowell |
| - Ansel Adams | |
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