| Now to consult the rules of composition before | You can find pictures anywhere. It's simply a |
| making a picture is a little like consulting the | matter of noticing things and organizing them. |
| law of gravitation before going for a walk. | You just have to care about what's around you |
| Such rules and laws are deduced from the | and have a concern with humanity and the |
| accomplished fact; they are the products of | human comedy. - Elliott Erwitt |
| reflection . . . - Edward Weston | |
| | You learn to see by practice. It's just like |
| Photography takes an instant out of time, | playing tennis, you get better the more you |
| altering life by holding it still. - Dorothea | play. The more you look around at things, the |
| Lange | more you see. The more you photograph, the |
| | more you realize what can be photographed |
| | and what can't be photographed. You just have |
| | to keep doing it. - Eliot Porter |
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Baltimore |
Tampa |
Vero Beach |
Savannah |
Berkeley |
Odessa |
Bessemer |
Kennett Square |
Lima |
Gainesville |
Agoura Hills |
Great Neck |
Lexington |
Lufkin |
Olive Branch |
Lewiston |
New Port Richey |
Millville |
Myrtle Beach |
Princess Anne |
Warner Robins |
Pleasanton |
Valentine |
Wagoner |
Hornell |
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| Memory is very important, the memory of | Photography suits the temper of this ageof |
| each photo taken, flowing at the same speed | active bodies and minds. It is a perfect |
| as the event. During the work, you have to be | medium for one whose mind is teeming with |
| sure that you haven't left any holes, that you've | ideas, imagery, for a prolific worker who |
| captured everything, because afterwards it will | would be slowed down by painting or |
| be too late. - Henri Cartier Bresson | sculpting, for one who sees quickly and acts |
| | decisively, accurately. - Edward Weston |
| Pictures you have taken have an influence on | |
| those that you are going to make. | The virtue of the camera is not the power it |
| That's life! - John Sexton | has to transform the photographer into an |
| | artist, but the impulse it gives him to keep on |
| | looking. - Brooks Anderson |
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