| Photography is about finding out what can | The difficulty with color is to go beyond the |
| happen in the frame. When you put four | fact that it's color to have it be not just a |
| edges around some facts, you change those | colorful picture but really be a picture about |
| facts. - Gary Winogrand | something. It's difficult. So often color gets |
| | caught up in color, and it becomes merely |
| I think you have to have a real point of view | decorative. Some photographers use [ it ] |
| that's your own. You have to tell it your way. | brilliantly to make visual statements combining |
| And, I think that it's a mistake to shoot for a | color and content; otherwise it is empty. |
| specific magazine's point of view because it's | - Mary Ellen Mark |
| never going to be as good. You have to shoot | |
| for yourself and photograph [the way] you | |
| believe it. - Mary Ellen Mark | |
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Naples |
Greensboro |
Arlington |
Biloxi |
Mount Airy |
Uniontown |
Monterey Park |
New London |
New Bedford |
Bayside |
Westbury |
Hilo |
Newark |
Warren |
Shippensburg |
Shelbyville |
Borger |
Russell |
Milford |
Tannersville |
Troy |
West Point |
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| [Photography] is a way of feeling, of touching, | You learn to see by practice. It's just like |
| of loving. What you have caught on film is | playing tennis, you get better the more you |
| captured forever . . . it remembers little things, | play. The more you look around at things, the |
| long after you have forgotten everything. | more you see. The more you photograph, the |
| - Aaron Siskind | more you realize what can be photographed |
| | and what can't be photographed. You just have |
| Once photography enters your bloodstream, | to keep doing it. - Eliot Porter |
| it's like a disease. - Anon | |
| | A great photograph is one that fully expresses |
| "Simply look with perceptive eyes at the | what one feels, in the deepest sense, about |
| world about you, and trust to your own | what is being photographed. - Ansel |
| reactions and convictions. Ask yourself: | Adams |
| "Does this subject move me to feel, think | |
| and dream? Can I visualize a print - my own | |
| personal statement of what I feel and want to | |
| convey - from the subject before me?" | |
| - Ansel Adams | |
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