| Sometimes you can tell a large story with a | Photography records the gamut of feelings |
| tiny subject. - Eliot Porter | written on the human face, the beauty of the |
| | earth and skies that man has inherited and the |
| A good picture is equivalent to a good deed. | wealth and confusion man has created. |
| - Vincent Van Gogh | - Edward Steichen |
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| I think the best pictures are often on the edges | Memory is very important, the memory of |
| of any situation, I don't find photographing the | each photo taken, flowing at the same speed |
| situation nearly as interesting as | as the event. During the work, you have to be |
| photographing the edges. - William Albert | sure that you haven't left any holes, that you've |
| Allard | captured everything, because afterwards it will |
| | be too late. - Henri Cartier Bresson |
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| There is nothing worse than a sharp image of | I almost never set out to photograph a |
| a fuzzy concept. - Ansel Adams | landscape, nor do I think of my camera as a |
| | means of recording a mountain or an animal |
| It is not the language of painters but the | unless I absolutely need a 'record shot'. My |
| language of nature which one should listen to. | first thought is always of light. - Galen |
| . . . The feeling for the things themselves, for | Rowell |
| reality, is more important than the feeling for | |
| pictures. - Vincent Van Gogh | The virtue of the camera is not the power it |
| | has to transform the photographer into an |
| "Simply look with perceptive eyes at the | artist, but the impulse it gives him to keep on |
| world about you, and trust to your own | looking. - Brooks Anderson |
| reactions and convictions. Ask yourself: | |
| "Does this subject move me to feel, think | |
| and dream? Can I visualize a print - my own | |
| personal statement of what I feel and want to | |
| convey - from the subject before me?" | |
| - Ansel Adams | |
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