| "Simply look with perceptive eyes at the | No place is boring, if you've had a good |
| world about you, and trust to your own | night's sleep and have a pocket full of |
| reactions and convictions. Ask yourself: | unexposed film. - Robert Adams |
| "Does this subject move me to feel, think | |
| and dream? Can I visualize a print - my own | You learn to see by practice. It's just like |
| personal statement of what I feel and want to | playing tennis, you get better the more you |
| convey - from the subject before me?" | play. The more you look around at things, the |
| - Ansel Adams | more you see. The more you photograph, the |
| | more you realize what can be photographed |
| [Photography] is a way of feeling, of touching, | and what can't be photographed. You just have |
| of loving. What you have caught on film is | to keep doing it. - Eliot Porter |
| captured forever . . . it remembers little things, | |
| long after you have forgotten everything. | |
| - Aaron Siskind | |
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Los Angeles |
Fort Worth |
Tyler |
Youngstown |
Houma |
Fort Lauderdale |
Longwood |
Erie |
Hollywood |
St. Louis |
Parsippany |
Brazil |
Mount Kisco |
Lake Havasu City |
Malone |
Winnie |
Lindale |
Oxford |
New Cumberland |
Munising |
Mifflintown |
Boulder Louisville |
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| Pictures you have taken have an influence on | The difficulty with color is to go beyond the |
| those that you are going to make. | fact that it's color to have it be not just a |
| That's life! - John Sexton | colorful picture but really be a picture about |
| | something. It's difficult. So often color gets |
| Photography is about finding out what can | caught up in color, and it becomes merely |
| happen in the frame. When you put four | decorative. Some photographers use [ it ] |
| edges around some facts, you change those | brilliantly to make visual statements combining |
| facts. - Gary Winogrand | color and content; otherwise it is empty. |
| | - Mary Ellen Mark |
| Photography is a major force in explaining | |
| man to man. - Edward Steichen | |
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