| There is nothing worse than a sharp image of | No place is boring, if you've had a good |
| a fuzzy concept. - Ansel Adams | night's sleep and have a pocket full of |
| | unexposed film. - Robert Adams |
| [Photography] is a way of feeling, of touching, | |
| of loving. What you have caught on film is | You can find pictures anywhere. It's simply a |
| captured forever . . . it remembers little things, | matter of noticing things and organizing them. |
| long after you have forgotten everything. | You just have to care about what's around you |
| - Aaron Siskind | and have a concern with humanity and the |
| | human comedy. - Elliott Erwitt |
| "Simply look with perceptive eyes at the | |
| world about you, and trust to your own | |
| reactions and convictions. Ask yourself: | |
| "Does this subject move me to feel, think | |
| and dream? Can I visualize a print - my own | |
| personal statement of what I feel and want to | |
| convey - from the subject before me?" | |
| - Ansel Adams | |
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Baton Rouge |
Memphis |
Altoona |
Boise |
Lawrenceville |
Martinsburg |
Detroit |
Westlake |
Saranac Lake |
Cornelia |
Newark |
Kutztown |
Iola |
Vandalia |
Billings |
Faith |
Jacksonville Beach |
Zumbrota |
Southern Pines |
Breaux Bridge |
Fair Lawn |
South Jacksonville |
Park City |
Markham |
Bradley |
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| Photography is a major force in explaining | A mad, keen photographer needs to get out |
| man to man. - Edward Steichen | into the world and work and make mistakes. |
| | - Sam Abell |
| Photography records the gamut of feelings | |
| written on the human face, the beauty of the | One should really use the camera as though |
| earth and skies that man has inherited and the | tomorrow you'd be stricken blind. |
| wealth and confusion man has created. | - Dorothea Lange |
| - Edward Steichen | |
| | The difficulty with color is to go beyond the |
| Pictures you have taken have an influence on | fact that it's color to have it be not just a |
| those that you are going to make. | colorful picture but really be a picture about |
| That's life! - John Sexton | something. It's difficult. So often color gets |
| | caught up in color, and it becomes merely |
| | decorative. Some photographers use [ it ] |
| | brilliantly to make visual statements combining |
| | color and content; otherwise it is empty. |
| | - Mary Ellen Mark |
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