| I think you have to have a real point of view | A picture is the expression of an impression. If |
| that's your own. You have to tell it your way. | the beautiful were not in us, how would we |
| And, I think that it's a mistake to shoot for a | ever recognize it? - Ernst Haas |
| specific magazine's point of view because it's | |
| never going to be as good. You have to shoot | A great photograph is one that fully expresses |
| for yourself and photograph [the way] you | what one feels, in the deepest sense, about |
| believe it. - Mary Ellen Mark | what is being photographed. - Ansel |
| | Adams |
| ...words and pictures can work together to | |
| communicate more powerfully than either | I think the best pictures are often on the edges |
| alone. -William Albert Allard | of any situation, I don't find photographing the |
| | situation nearly as interesting as |
| | photographing the edges. - William Albert |
| | Allard |
|
|
New York |
Pittsburgh |
Des Moines |
Springfield |
Omaha |
Davenport |
Louisville |
Tampa |
Altamonte Springs |
New Bedford |
Mansfield |
Rialto |
Mystic |
Marietta |
Lincolnton |
Ann Arbor |
Plantation |
Sayre |
Lorain |
Piscataway |
Galveston |
Miami Springs |
Roswell |
Charleston |
Monroeville |
Dayton |
Spring Lake |
Shawnee On Delaware |
Waterford |
|
|
| "Simply look with perceptive eyes at the | The camera makes everyone a tourist in other |
| world about you, and trust to your own | people's reality. - Susan Sontag |
| reactions and convictions. Ask yourself: | |
| "Does this subject move me to feel, think | My own eyes are no more than scouts on a |
| and dream? Can I visualize a print - my own | preliminary search, for the camera's eye may |
| personal statement of what I feel and want to | entirely change my idea. - Edward |
| convey - from the subject before me?" | Weston |
| - Ansel Adams | |
| | I almost never set out to photograph a |
| Above all, it's hard learning to live with vivid | landscape, nor do I think of my camera as a |
| mental images of scenes I cared for and failed | means of recording a mountain or an animal |
| to photograph. It is the edgy existence within | unless I absolutely need a 'record shot'. My |
| me of these unmade images that is the only | first thought is always of light. - Galen |
| assurance that the best photographs are yet to | Rowell |
| be made. - Sam Abell | |
|