| A great photograph is one that fully expresses | "Simply look with perceptive eyes at the |
| what one feels, in the deepest sense, about | world about you, and trust to your own |
| what is being photographed. - Ansel | reactions and convictions. Ask yourself: |
| Adams | "Does this subject move me to feel, think |
| | and dream? Can I visualize a print - my own |
| Keep it simple. - Alfred Eienstaedt | personal statement of what I feel and want to |
| | convey - from the subject before me?" |
| You learn to see by practice. It's just like | - Ansel Adams |
| playing tennis, you get better the more you | |
| play. The more you look around at things, the | There is nothing worse than a sharp image of |
| more you see. The more you photograph, the | a fuzzy concept. - Ansel Adams |
| more you realize what can be photographed | |
| and what can't be photographed. You just have | |
| to keep doing it. - Eliot Porter | |
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Chicago |
Spokane |
Tucson |
Torrance |
Sterling Heights |
Conway |
Kansas City |
Jacksonville Beach |
Janesville |
Geneva |
Henderson |
Cleveland |
Reidsville |
Cameron Park |
Pompano Beach |
Demopolis |
Hudson |
Marathon |
Gastonia |
Potosi |
Worthington |
Kenai |
Flat Rock |
Wakefield |
Carmel Valley |
Lovelock |
Carson |
Fishers |
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| Photography is about finding out what can | Photography suits the temper of this ageof |
| happen in the frame. When you put four | active bodies and minds. It is a perfect |
| edges around some facts, you change those | medium for one whose mind is teeming with |
| facts. - Gary Winogrand | ideas, imagery, for a prolific worker who |
| | would be slowed down by painting or |
| You've got to push yourself harder. You've got | sculpting, for one who sees quickly and acts |
| to start looking for pictures nobody else could | decisively, accurately. - Edward Weston |
| take. You've got to take the tools you have and | |
| probe deeper. - William Albert Allard | One should really use the camera as though |
| | tomorrow you'd be stricken blind. |
| | - Dorothea Lange |
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