| You've got to push yourself harder. You've got | A great photograph is one that fully expresses |
| to start looking for pictures nobody else could | what one feels, in the deepest sense, about |
| take. You've got to take the tools you have and | what is being photographed. - Ansel |
| probe deeper. - William Albert Allard | Adams |
| | |
| Photography is about finding out what can | A room hung with pictures is a room hung with |
| happen in the frame. When you put four | thoughts. - Sir Joshua Reynolds |
| edges around some facts, you change those | |
| facts. - Gary Winogrand | No place is boring, if you've had a good |
| | night's sleep and have a pocket full of |
| | unexposed film. - Robert Adams |
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San Antonio |
Savannah |
St. Paul |
Sacramento |
Indiana |
Woodward |
Bangor |
Windom |
Lexington |
Clifton Park |
Canton |
Grove |
St. Paul |
Fort Pierce |
Mcdonough |
De Soto |
Three Rivers |
La Jolla |
Dundee |
Charleston |
Warrington |
Muscatine |
Warsaw |
Dodge City |
Bowling Green |
Fort Mill |
Clewiston |
Lenoir City |
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| It is not the language of painters but the | The difficulty with color is to go beyond the |
| language of nature which one should listen to. | fact that it's color to have it be not just a |
| . . . The feeling for the things themselves, for | colorful picture but really be a picture about |
| reality, is more important than the feeling for | something. It's difficult. So often color gets |
| pictures. - Vincent Van Gogh | caught up in color, and it becomes merely |
| | decorative. Some photographers use [ it ] |
| Now to consult the rules of composition before | brilliantly to make visual statements combining |
| making a picture is a little like consulting the | color and content; otherwise it is empty. |
| law of gravitation before going for a walk. | - Mary Ellen Mark |
| Such rules and laws are deduced from the | |
| accomplished fact; they are the products of | |
| reflection . . . - Edward Weston | |
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