| The camera makes everyone a tourist in other | Photography records the gamut of feelings |
| people's reality. - Susan Sontag | written on the human face, the beauty of the |
| | earth and skies that man has inherited and the |
| The difficulty with color is to go beyond the | wealth and confusion man has created. |
| fact that it's color to have it be not just a | - Edward Steichen |
| colorful picture but really be a picture about | |
| something. It's difficult. So often color gets | Photography is about finding out what can |
| caught up in color, and it becomes merely | happen in the frame. When you put four |
| decorative. Some photographers use [ it ] | edges around some facts, you change those |
| brilliantly to make visual statements combining | facts. - Gary Winogrand |
| color and content; otherwise it is empty. | |
| - Mary Ellen Mark | |
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New York |
Philadelphia |
Tampa |
Oklahoma City |
Memphis |
Tracy |
New Bern |
Duluth |
Provo |
Louisville |
Monroe |
West Columbia |
Fredericksburg |
Manning |
Big Rapids |
Jackson |
York |
Murphy |
Lincoln |
Chareston |
Merrill |
Keyser |
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| There is nothing worse than a sharp image of | Keep it simple. - Alfred Eienstaedt |
| a fuzzy concept. - Ansel Adams | |
| | A good picture is equivalent to a good deed. |
| "Simply look with perceptive eyes at the | - Vincent Van Gogh |
| world about you, and trust to your own | |
| reactions and convictions. Ask yourself: | You can find pictures anywhere. It's simply a |
| "Does this subject move me to feel, think | matter of noticing things and organizing them. |
| and dream? Can I visualize a print - my own | You just have to care about what's around you |
| personal statement of what I feel and want to | and have a concern with humanity and the |
| convey - from the subject before me?" | human comedy. - Elliott Erwitt |
| - Ansel Adams | |
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